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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
The effect of changing the starting point of a song can be rather like the effect of shifting from a major to a minor key in Western music. The scalar tunings of Pythagoras , based on 2:3 ratios (8:9, 16:27, 64:81, etc.), are a western near-parallel to the earlier calculations used to derive Chinese scales.
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Sichuan naonian luogu (四川闹年锣鼓) - gong and drum music performed for the celebration of the Chinese New Year in Sichuan Province; Sunan shifan luogu (苏南十番锣鼓, see shifan luogu; Tonggu ensemble (铜鼓) - bronze drum ensemble (cf. Dong Son drums) Zhedong luogu (浙东锣鼓) - gong and drum music of eastern Zhejiang Province
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China.It uses Chinese characters to represent musical notes.It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě.
Chinese character sounds (simplified Chinese: 汉字字音; traditional Chinese: 漢字字音; pinyin: hànzì zìyīn) are the pronunciations of Chinese characters. The standard sounds of Chinese characters are based on the phonetic system of the Beijing dialect. [1] Normally a Chinese character is read with one syllable.
In the area where the gong is placed, a wax-lead mixture is applied to counteract the sound. The gongs are arranged from low to high. The gong can have a high and low sound, the volume must be adjusted using the lead under the gong. If the lead is less, the vibration is high, the sound is high, but if the lead is more, the sound is low.