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In L'Oiseau Bleu ("The Blue Bird") a popular tale included by Madame d'Aulnoy (1650–1705) in her collection Tales of the Fairies, King Charming is transformed into a blue bird, who aids his lover, the princess Fiordelisa, in her trials. Most to the point, a "blue bird of happiness" features in ancient Lorraine folklore.
The story is about a girl called Mytyl and her brother Tyltyl seeking happiness, represented by The Blue Bird of Happiness, aided by the good fairy Bérylune. Maeterlinck also wrote a relatively little known sequel to The Blue Bird titled The Betrothal; or, The Blue Bird Chooses. The play has been adapted for several films and a TV series.
The Barbarians (painting) The Beakful; List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger)
Wood chip bird is a carved wooden item with thin wavy plumage of the wings. The plumage and tail of these birds were usually made of split pine, that is why the birds were called "wood chip". The place of the wooden toy origin in the form of a bird is the Arkhangelsk region. It's also called a "Pomor dove". [1]
Art is also used as an emotional regulator, most often in Art Therapy sessions. Art therapy is a form of therapy that uses artistic activities such as painting, sculpture, sketching, and other crafts to allow people to express their emotions and find meaning in that art to find trauma and ways to experience healing.
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
In conformity to custom, I call this part of the art history painting; it ought to be called poetical, as in reality it is. [ 1 ] Originally applied to history painting , regarded as the highest in the hierarchy of genres , the Grand Manner came thereafter also to be applied to portrait painting , with sitters depicted life size and full-length ...
Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.