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Borderline is a 1980 American action crime drama film directed and co-written by Jerrold Freedman. Starring Charles Bronson, Ed Harris and Bruno Kirby, it is set in the San Diego–Tijuana area of the U.S.-Mexican border and follows a United States Border Patrol (USBP) Agent who poses as an illegal alien to catch a killer smuggling laborers from Mexico.
Her film criticism career, including her embrace of American independent cinema, is discussed in the documentary For the Love of Movies: The Story of American Film Criticism (2009). In the documentary, Entertainment Weekly critic Lisa Schwarzbaum recalls the excitement of having a woman as the lead reviewer at The New York Times .
Crime Scene: The Times Square Killer is a 2021 American limited docuseries made for Netflix and directed by Joe Berlinger. [1] It is the second installment in the Crime Scene documentary series, following Crime Scene: The Vanishing at the Cecil Hotel . [ 2 ]
Page One: Inside the New York Times is an American documentary film by Andrew Rossi, which premiered at the 2011 Sundance Film Festival. Magnolia Pictures and Participant Media jointly acquired the U.S. distribution rights and released the film theatrically in Summer 2011.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
The New York Times Book Review (NYTBR) is a weekly paper-magazine supplement to the Sunday edition of The New York Times in which current non-fiction and fiction books are reviewed. It is one of the most influential and widely read book review publications in the industry. [2] The magazine's offices are located near Times Square in New York City.
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Steven H. Scheuer's TV Movie Almanac & Ratings 1958 & 1959 gives Borderline a "Fair" rating of 2 stars (out of 4), summarizing its plot as "[A] policewoman is sent to get the goods on dope smugglers working from Los Angeles to Mexico" with the evaluation, "[U]ncertain melodrama wavers between seriousness and farce, is successful at neither". 35 years later, in the 1993–1994 edition, the plot ...