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In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm. [1]
Neo-Gramscianism is a critical theory approach to the study of international relations (IR) and the global political economy (GPE) that explores the interface of ideas, institutions and material capabilities as they shape the specific contours of the state formation.
The need to create a working-class culture and a counter-hegemony relates to Gramsci's call for a kind of education that could develop working-class intellectuals, whose task was not to introduce Marxist ideology into the consciousness of the proletariat as a set of foreign notions but to renovate the existing intellectual activity of the ...
Examples of neo-Marxism include analytical Marxism, French structural Marxism, political Marxism, critical theory, cultural studies, as well as some forms of feminism. Erik Olin Wright 's [ 9 ] theory of contradictory class locations is an example of the syncretism found in neo-Marxist thought, as it incorporates Weberian sociology, and ...
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture that are profit driven and mass-produced under capitalism.
"Hegemony" was conceptualized by Karl Marx and Antonio Gramsci, a Marxist social philosopher who lived in Mussolini's Italy. Because Gramsci was a Marxist, he subscribed to the basic Marxist premise of the dialectic and therefore the contradiction. In his writings Gramsci claims that intellectuals create both hegemony and counter-hegemony.
Gramsci also used the term for the mutations of the structures of capitalist economic production that he recognized primarily in the development of the US factory system of the 1920s and 1930s. Passive revolution is detailed by Gramsci as an elite process of state restructuring in Italy specifically, but it has been used as a frame of analysis ...
In this theory, cultural forms and practices (Antonio Gramsci's superstructure and Richard Middleton's instance or level of practice) have relative autonomy; socio-economic structures of power do not determine them, but rather they relate to them. "The theory of articulation recognizes the complexity of cultural fields.