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Life and death are – according to Novalis – developed into entwined concepts. So in the end, death is the romantic principle of life. Influences from the literature of that time can be seen. The metaphors of the hymns are closely connected to the books Novalis had read at about the time of his writing of the hymns.
The krautrock band Novalis took their name from Novalis and used his poems for lyrics on their albums. Novalis records, which are produced by AVC Audio Visual Communications AG, Switzerland, was named in tribute to Novalis's writings. The avant-garde filmmaker Stan Brakhage made the short film First Hymn to the Night – Novalis in 1994.
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Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy. [1] The expression "transcendental poetry" was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
Richard Wagner referenced "Novalis" in his essay "On Poetry and Composition" (1879). Doctor and theosophist William Ashton Ellis quoted from "Novalis" in a lecture delivered at a meeting of the Society for the Encouragement of the Fine Arts on 3 February 1887.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages.
In India the Chayavaad style of writing verse had dominated the scene between 1918 and 1936 when it started yielding place to Pragativaad, or progressive poetry, between 1936 and 1950. The 1950s brought with it a new trend in thinking – a search for a middle path, an equilibrium, an understanding – and into this stepped Nalin Vilochan Sarma ...