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Battles in the North is the third studio album by Norwegian black metal band Immortal. It was released on May 15, 1995 through Osmose Productions. It picks up where its predecessor, Pure Holocaust, left off, featuring extreme tempos, low-fidelity production, and lyrics about coldness or wintery landscapes. This is the first album where the ...
The album has been described as “raw and grim black metal at its blackest.” [3] An urban legend regarding the album is that the band spent the recording budget on Armani suits, cocaine and a Corvette and recorded the album outdoors in a Norwegian forest on an 8-track.
In the early 1990s, most pioneering black metal artists had minimalist album covers featuring xeroxed black-and-white pictures and/or writing. [5] This was partly a reaction against death metal bands, who at that time had begun to use brightly colored album artwork. [5] Many purist black metal artists have continued this style.
Grimmest Hits is the tenth studio album by American heavy metal band Black Label Society. The album was released on January 19, 2018. The album was released on January 19, 2018. According to AllMusic , the sound of the album was inspired by Black Sabbath and Led Zeppelin . [ 2 ]
The album was released in multiple formats, including a standard CD, a limited edition four-panel digipak, a limited edition metal box, a "Deluxe Edition" digipak with bonus DVD, a picture disc, a gatefold double LP, and a quadruple 10" leather box. The limited edition metal box was only available via Nuclear Blast mailorder and was sold out ...
When Polly Harvey returned from the Dorset wilds in 2011 dressed to curse the entire village for a hundred winters hence, it marked another intriguing evolution in a wonderfully chameleonic career.
De Mysteriis Dom Sathanas is the debut studio album by Norwegian black metal band Mayhem.Songwriting began in 1987, [1] but due to the suicide of vocalist Per "Dead" Ohlin and the murder of guitarist Øystein "Euronymous" Aarseth, the album's release was delayed until May 1994.
Paysage d'Hiver's music is known for its extremely lo-fi, raw production style, while musically it tends to alternate between (and even merge) ambient black metal and pure ambient music [6] [7] —at times also incorporating elements of funeral doom metal, dungeon synth, drone and sound collage, particularly in its earlier outputs.