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Painting Andrea Mantegna: An Old Man and his Grandson: Painting Domenico Ghirlandaio: Pastoral Concert: Painting Titian: Madonna of the Rabbit: Painting Titian: Woman with a Mirror: Painting Titian: Venus and Cupid with a Satyr: Painting Antonio da Correggio: Susanna and the Elders: Painting Tintoretto: La Bella Nani: Painting Paolo Veronese ...
The Public Viewing David's 'Coronation' at the Louvre is an 1810 oil painting by the French artist Louis-Léopold Boilly. [1] [2] It depicts a crowd of spectators at the Salon of 1810 at the Louvre in Paris examining the painting The Coronation of Napoleon by Jacques-Louis David, which portrays the coronation of Napoleon and his first wife Josephine. [3]
The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory. Charles-Francois Lebrun (1739–1824), the third consul alongside Napoleon and Cambacérès. Under the First Empire, he took the place of prince-architrésorier.
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
In 1797, soldiers of Napoleon's French Revolutionary Army plundered the picture as war booty during the Italian campaigns of the French Revolutionary Wars (1792–1802). The pictorial area (67.29 m 2) of the canvas makes The Wedding Feast at Cana the most expansive picture in the paintings collection of the Musée du Louvre.
Dated between 1500 and April 1501, this is the second of three cartoons the painter needed to create the painting The Virgin and Child with Saint Anne in the Louvre: it follows the abandoned Burlington House cartoon by a few months, and precedes by a year to a year and a half the equally lost cartoon from which the Louvre painting is derived.
Napoleon on the Battlefield of Eylau (French: Napoléon sur le champ de bataille d'Eylau) is an oil painting of 1808 by French Romantic painter Antoine-Jean Gros. Completed during the winter of 1807–1808, the work became an icon of the emerging style of French Romanticism .
Engraving of Robert Lefèvre's Portrait of Napoleon in his coronation costume, engraving in the treatise by the Pausanias français. The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne ...