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The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root or fifth of the chord in their basslines (and to a lesser degree, the third of the chord) and accents the strong beats.
Used by death/doom metal band Encoffination. Also used by Mark Tremonti on the song "In the Deep" (Myles Kennedy uses a 6-string guitar tuned to Drop Db in the song). G tuning – G-C-F-A ♯-D-G / G-C-F-B ♭-D-G Four and a half steps down from standard tuning.
Music described "I Get Lonely" as highlighted by "catchy chord progressions" while The L.A. Times says the song "plumbed relatively raw neo-soul depths." [ 9 ] [ 10 ] A review from Uproxx also praised the song's quality, stating "It's hard to pinpoint the best aspect of the song: the opening seconds, its melody, the hook or the way Ms. Jackson ...
The song begins with a deep-pitched synthesizer orchestration (omitted from the 7" single edit), leading into a slow piano progression accompanying a classical guitar, followed by several spoken verses. The single edit removes the opening synthesisers, beginning with acoustic guitar.