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A Christingle is a symbolic object used in the Advent, Christmas, and Epiphany services of many Christian denominations. It symbolises the birth of Christ , the Light of the World . [ 1 ] A modern Christingle is made from a candle in an orange (representing the light and the world respectively) which is typically decorated with a red ribbon and ...
There are also flower motifs called orchids and tulips, but these are not botanical names. They are actually the names given to fantastical flowers, as neither of these flowers was commonly found in Ukraine until modern times. The names reflected the exoticism of the designs. Traditional Ukrainian pysanka from Bukovina region, with a vazon motif
Christkind. The Christkind (German for 'Christ-child'; pronounced [ˈkʁɪstˌkɪnt] ⓘ), also called Christkindl, is the traditional Christmas gift-bringer in Austria, Switzerland, Slovenia, southern and western Germany, the Czech Republic, Croatia, Liechtenstein, Luxembourg, the eastern part of Belgium, Portugal, Slovakia, Hungary, parts of northeastern France, Upper Silesia in Poland ...
In the Ore Mountains, miners and angels, together with candle arches, smoking figures and nutcrackers, are all part of Christmas tradition. In modern times, people around the world place these candleholders on windowsills to provide light on long winter nights.
An illumination placed in the window of a home at the start of Advent. An illumination is an Advent, Christmastide, and Epiphanytide decoration in the form of a lighted candle originating in the Moravian Church. [1]
A flowered cross in a parish church (2006) Flowering the cross is a Western Christian tradition practiced at the arrival of Easter, in which worshippers place flowers on the bare wooden cross that was used in the Good Friday liturgy, in order to symbolize "the new life that emerges from Jesus’s death on Good Friday".
Floral imagery from scripture and nature has been applied to Mary in the writings of the Church Fathers and in the liturgy, providing the foundation in tradition for the subsequent naming of hundreds of flowers for Mary's life, mysteries, virtues, excellences and divine prerogatives in the popular religious folk traditions of the medieval ...
The photo was featured in the December 30, 1969 special edition of Look magazine under the title The Ultimate Confrontation: The Flower and the Bayonet. [2] The photo was republished world-wide and became a symbol of the flower power movement. Smithsonian magazine later called it "a gauzy juxtaposition of armed force and flower child innocence ...