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  2. Giorgio Vasari - Wikipedia

    en.wikipedia.org/wiki/Giorgio_Vasari

    Based on Vasari's text in print about Giotto's new manner of painting as a rinascita (rebirth), author Jules Michelet, in his Histoire de France (1835), [5] suggested the adoption of Vasari's concept, using the term Renaissance (from French) to distinguish the cultural change. The term was adopted thereafter in historiography and is still in ...

  3. The Last Judgement (Vasari and Zuccari) - Wikipedia

    en.wikipedia.org/wiki/The_Last_Judgement_(Vasari...

    The Last Judgment in the Cattedrale di Santa Maria del Fiore, in Florence, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579.

  4. Lives of the Most Excellent Painters, Sculptors, and Architects

    en.wikipedia.org/wiki/Lives_of_the_Most...

    The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...

  5. Category:Paintings by Giorgio Vasari - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by...

    Pages in category "Paintings by Giorgio Vasari" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A.

  6. Portrait of Lorenzo the Magnificent - Wikipedia

    en.wikipedia.org/wiki/Portrait_of_Lorenzo_the...

    The painting was commissioned by Vasari's patron Ottaviano de' Medici, and is a posthumous portrait of Lorenzo de' Medici, the ruler of the Republic of Florence, who had died in 1492. The portrait is similar in style to the one of Cosimo the Elder by Pontormo .

  7. Sala dei Cento Giorni - Wikipedia

    en.wikipedia.org/wiki/Sala_dei_Cento_Giorni

    The istorie are filled with stylistic quotations from past and present art. The dado (zoccolo or basamento) of the wall has been either transformed or eliminated. Vasari creates a new, large-scale device by using illusionistically painted steps extending from the center of the lower zone to the actual physical floor.