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Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. [6] Recommended at an early age by his cousin Luca Signorelli, he became a pupil of Guglielmo da Marsiglia, a skillful painter of stained glass.
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
The Genius of Victory is a 1532–1534 marble sculpture by Michelangelo, ... (1564), but Giorgio Vasari, who was redesigning the church's interior, was against it ...
La Vita di Leonardo Da Vinci — in English, The Life of Leonardo da Vinci — is a 1971 Italian biographical drama miniseries created by Renato Castellani.The series is based largely on the biography of Leonardo elaborated by Giorgio Vasari in his Le vite de' più eccellenti pittori, scultori e architettori, dramatizing the life of the Italian Renaissance genius Leonardo da Vinci (1452–1519 ...
Per Bjurstrom, Italian Drawings from the Collection of Giorgio Vasari, National Museum, Stockholm, 2001 ISBN 9789171006264; Andrew Morrogh, Vasari's Libro de' Disegni and Niccolò Gaddi's Collection of Drawings: The Work of Gaddi's "Chief Framer", conference paper at the RSA Annual Meeting, New York, NY, Hilton New York, 2014
Fra Angelico, O.P. (born Guido di Pietro; c. 1395 [1] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [2]
Pope Paul III (Farnese) Names Cardinals and Distributes Benefices. In the Sala dei Cento Giorni, Vasari and his assistants work in an elaborate and fanciful manner.The narrative unfolds within an unusual illusionist space flooded with allegoric ornamentation and further by numerous figures in painted architecture surrounded by simulated sculpture.
The painting and its future versions were based on the biographies about Raphael's life: Vita by Giorgio Vasari, a 16th-century Italian painter and writer, and Vita di Raffaello da Urbino by Angelo Comolli. [18] Vasari makes multiple references to a mistress, yet it is unclear if he is referring to the same woman or multiple lovers. [4]