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"Music Genome Project" is a registered trademark in the United States. The mark is owned by the company Pandora Media, Inc. [5] The Music Genome Project is covered by U.S. patent 7,003,515 which shows William T. Glaser, Timothy B. Westergren, Jeffrey P. Stearns, and Jonathan M. Kraft as the inventors of this technology.
MOG (online music) MoodLogic; MOOMA; Mudcat Café; Mulve; Music Australia (online resource) Music Boulevard; Music Genome Project; Music Story; MusicBrainz; MusicDNA (company) MusicDNA (database) Musicovery; Musixmatch; Musopen; Mutopia Project; Mziiki
• Marketplace lists over 35 million items (largest physical music items marketplace online). • 1 billion edits. PD/CC0 [10] Free API and XML data dumps. [11] SongLyrics Updated daily with lyrics, reviews, features, meanings and more. 400,000,000 400,000,000 CC: Yes Internet Archive: Large live music archive, hosts hundreds of free music ...
Nolan Ira Gasser (born November 10, 1964) is an American composer, pianist, and musicologist.He was the chief musicologist for Pandora Media, Inc. and the architect of the Music Genome Project, [1] [2] the proprietary musical analysis system that underlies the popular Internet radio service.
Pandora is a subscription-based music streaming service owned by the broadcasting corporation Sirius XM that is based in Oakland, California in the United States.The service carries a focus on recommendations based on the "Music Genome Project", which is a means of classifying individual songs by musical traits such as genres and shared instrumentation.
A comparable initiative is the Music Genome Project, intended to "capture the essence of music at the fundamental level.” The Music Genome technology is used by Pandora to play music for Internet users based on their preferences. Movie Genome attributes might include mood, tone, plot, and structure. [2]
Garland Encyclopedia of World Music; Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart; German and Austrian violin-makers; Großes Sängerlexikon; H.
Susumu Ohno, one of the referents in the development of protein music, proposed in the early 80s that repetition is a fundamental to the evolution of proteins. [14] This idea was fundamental to his notion that the repetition in biological sequences would have parallels in music composition, leading Ohno to state that the "...all-pervasive principle of repetitious recurrence governs not only ...