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The accurate depiction of landscape in painting had also been developing in Early Netherlandish/Early Northern Renaissance and Italian Renaissance painting and was then brought to a very high level in 17th-century Dutch Golden Age painting, with very subtle techniques for depicting a range of weather conditions and degrees of natural light ...
It has Arabic to English translations and English to Arabic, as well as a significant quantity of technical terminology. It is useful to translators as its search results are given in context. [ 6 ] Almaany offers correspondent meanings for Arabic terms with semantically similar words and is widely used in Arabic language research. [ 7 ]
Depiction of a shayṭān by Siyah Qalam, c. 14th/15th century. The art-style of Uighur or Central Asia origin was used by Muslim Turks to depict various legendary beings. [1] A shaiṭān or shaytān (Arabic: شَيْطَان, romanized: shayṭān; pl.: شَيَاطِين shayāṭīn, ultimately from Hebrew: שָׂטָן, romanized ...
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East , [ 1 ] was one of the many specialties of 19th-century academic art , and Western literature ...
Naturalism in art, the accurate depiction of the visual appearance of things, is not necessarily portraiture. It is sometimes distinguished (although the usage of both terms is highly variable) from realism , "which is the rendering of the qualities, (inner and outer), of a particular person" [ 20 ] However, both avoid the abstractive nature of ...
British scientists using forensic anthropology, similar to how police solve crimes, have stitched together what they say is probably most accurate image of Jesus Christ's real face, and he's not ...
It consists of two subcorpora; one contains the English originals and the other their Arabic translations. As for the English subcorpus, it contains 3,794,677 word tokens, with 78,606 word types. The Arabic subcorpus has a slightly fewer word tokens (3,755,741), yet differs greatly in terms of the number of word types, which is 143,727.
Depiction can acquire resemblance but must surrender reference. This is a point tacitly acknowledged by Goodman, conceding firstly that density is the antithesis of notation [ 22 ] and later that lack of differentiation may actually permit resemblance. [ 23 ]