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Next came the G-DEC (Guitar Digital Entertainment Center), a true modeling amp. It was released in 2007 along with a PC software package to allow it to emulate a wide array of pedals, stompboxes, and amplifiers. The G-Dec won high praise at the time but its effects, based on three-decade-old MIDI technology, were rapidly outdated. An updated G ...
The Z-Wreck is a Vox AC30-style amp that was originally made for country guitar player, Brad Paisley. Fischer's final design, the Songwriter 30, was licensed under Komet Amps. It features four cathode-biased EL84/6BQ5 output tubes and two 12AX7 preamp tubes.
The 5150 was based on the Soldano SLO-100 which Eddie Van Halen was using at the time and designed to provide high gain saturation as well as a clean channel. [5]While the product was designed around a centered printed circuit board (PCB), its cascading five preamps (actually four preamplifiers and one phase inverter) and four gain stages were implemented in a very simple manner.
The design was originally intended to be used as a microphone base for guitarists who sang. [citation needed] The pedal uses two knobs, one for volume, and one for the amount of distortion the pedal produces. The arrangement of controls and logo on the box suggests a face.
Subsequent design revisions to Mesa's early amps lead to the Mark Series, which popularized modern, high-gain circuits, [2] while the 1990s saw the introduction of Mesa's flagship Rectifier amps, the success of which made the brand a staple of modern rock tone. [3] In 2021, Mesa/Boogie was acquired by Gibson. [3]
Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb. [1] [2] The Super Reverb is commonly used by blues guitarists due to its ability to deliver loud, warm tube distortion through its four 10" speakers. [3]