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In France in the 17th century, women who rode wore an outfit called a devantiere. [1] The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding ...
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740 Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s .
Henrietta Maria's riding costume consists of a jacket-bodice of blue satin with long tabbed skirts and a matching long petticoat. She wears a broad-brimmed hat with ostrich plumes, 1633. A Lady from Spanish court wears an elegant, black dress. Its simplicity is a testament to the austerity of the Spanish court; however, her high hair is quite ...
The evolution of women’s riding gear reflects a market catering to female preferences, with increasing attention paid to aesthetics and comfort. [100] Tourre-Malen notes that riding is a pretext for women to "adorn themselves", choosing the elements of their outfit and those of the horse's harness with care. [99]
"Then there were the pa-u riders, thirty or forty of them, Hawaiian women all, superb horsewomen dressed gorgeously in the old, native riding costume, and dashing about in twos and threes and groups. In the afternoon Charmian and I stood in the judge's stand and awarded the prizes for horsemanship and costume to the pa-u riders". [10]