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A Girl Asleep (Dutch: Slapend meisje), also known as A Woman Asleep, A Woman Asleep at Table, and A Maid Asleep, [1] is a painting by the Dutch master Johannes Vermeer, created c. 1657. [2] It is now in the Metropolitan Museum of Art in New York City and may not be lent elsewhere under the terms of the donor's bequest. [1]
File:Vermeer - Girl Asleep.jpg: File:Johannes Vermeer - A woman asleep 1656-57.jpg Version from www.met-museum.org: File:A Maid Asleep - Painting of Vermeer, with frame.jpg Reproduction by Wikimedia Commons
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Mistress and Maid (c. 1667) by Johannes Vermeer. Mistress and Maid (Dutch: Dame en dienstbode) is an oil-on-canvas painting produced by Johannes Vermeer c. 1667. It portrays two women, a mistress and her maid, as they look over the mistress' letter. The painting displays Vermeer's preference for yellow and blue, female models, and domestic scenes.
A Girl Asleep; Girl Interrupted at Her Music; Girl Reading a Letter at an Open Window; Girl with a Flute; Girl with a Pearl Earring; Girl with a Red Hat; The Girl with the Wine Glass; The Guitar Player (Vermeer)
Lady Writing a Letter with her Maid (Dutch: Schrijvende vrouw met dienstbode) is a painting by the Dutch artist Johannes Vermeer, completed in 1670–1671 and held in the National Gallery of Ireland, in Dublin, Ireland. The painting shows a standing woman seemingly acting as a messenger between the seated younger lady and her unseen lover.
Woman Reading a Letter (Dutch: Brieflezende vrouw) [1] [2] is a painting by the Dutch Golden Age painter Johannes Vermeer, produced in around 1663.It has been part of the collection of the City of Amsterdam since the Van der Hoop bequest in 1854, and in the Rijksmuseum in Amsterdam since it opened in 1885, the first Vermeer it acquired.
Vermeer's painting is one of the rare examples of a maid treated in an empathetic and dignified way, [3] although amorous symbols in this work still exemplify the tradition. [ 5 ] Other painters in this tradition, such as Gerrit Dou (1613–1675), depicted attractive maids with symbolic objects such as jugs and various forms of game and produce ...