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In music theory, a distinction is made [7] between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D ♭) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C ♯).
In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
D ♭ (D-flat) is a musical note lying a diatonic semitone above C and a chromatic semitone below D. It is thus enharmonic to C ♯. In the French solfège it is known as re bémol. It is the second semitone of the solfège.
In music, notes are distinct and isolatable sounds that ... in a tonal context are called diatonic notes. ... scale that are 1 ⁄ 100 th of an equally-tempered semitone.
A is a musical note equivalent to 440 Hz in typical A440 tuning. It is the sixth note of La and the tenth semitone of the fixed-do solfège.. Its enharmonic equivalents are B ♭ ♭ (B double flat) which is a diatonic semitone above A ♭ and G (G double sharp) which is a diatonic semitone below A ♯.
F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one scale ...