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It first emerged in the early 17th century as a term used by Spanish colonizers. "The children of these they call cholos. Cholo is a word from the Windward Islands ; it means dog, not of the purebred variety, but of very disreputable origin; and the Spaniards use it for insult and vituperation."
Güey (Spanish pronunciation:; also spelled guey, wey or we) is a word in colloquial Mexican Spanish that is commonly used to refer to any person without using their name. . Though typically (and originally) applied only to males, it can also be used for females (although when using slang, women would more commonly refer to another woman as "chava" [young woman] or "vieja" [old lady])
Duende or tener duende ("to have duende") is a Spanish term for a heightened state of emotion, expression and authenticity, often connected with flamenco. [1] Originating from folkloric Andalusian vocal music (canto jondo) [2] and first theorized and enhanced by Andalusian poet Federico García Lorca, [1] the term derives from "dueño de casa" (master of the house), which similarly inspired ...
Dude is American slang for an individual, typically male. [1] From the 1870s to the 1960s, dude primarily meant a male person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a "city slicker". In the 1960s, dude evolved to mean any male person, a meaning that slipped ...
"Water Runs Dry" is a song by American vocal harmony group Boyz II Men, written and produced by Babyface. [1] The single, the fourth released from the album II, reached number two on the US Billboard Hot 100 and number four in Canada.
The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That" [1] was a famous boogaloo song.
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No dudes nunca de mi querer. Él es muy grande, él es inmenso". And Becerra wrote the fourth: "Siempre, mi negro, yo te querré". [ 6 ] However, this version was not published, since Roig decided instead to directly quote Gollury's poem, which became the widely known first stanza of the song: "Quiéreme mucho, dulce amor mío, que siempre ...