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Rhapsodie espagnole (Spanish Rhapsody), S.254, R.90, is a composition for solo piano composed by Franz Liszt in 1858. [1] The piece is very suggestive of traditional Spanish music, and was inspired by Liszt's tour in Spain and Portugal in 1845. When played, this piece takes roughly 11–14 minutes and contains many technical challenges ...
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .
As Spanish is commonly spoken in Spain and most of Latin America, music from both regions have been able to crossover with each other. [2] According to the Sociedad General de Autores y Editores (SGAE), Spain is the largest Latino music market in the world. [3] As a result, the Latin music industry encompasses Spanish-language music from Spain.
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The following guajeo (or piano tumbao), created by Iván "Melón" Lewis is from "No me mires a los ojos" (Issac Delgado 1995). It is a prime example of one of the most critical timba piano innovations—the idea that the piano tumbao be a “hook” by which the song can be identified and that contributes greatly to the song's popularity.
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The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue. ( Georges Bizet 's opera Carmen premiered a month after the Symphonie espagnole .) The Symphonie espagnole is one of Lalo's two most often played works, the other being his Cello Concerto in D minor.
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