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Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century.
Devaraya Swamigal eventually wrote six hymns, popularly known as kavachams or kavasams (literally meaning "armour"), the most popular of which is the Kanda Shasti Kavacham. The other kavasams are Siva Kavacham, Shanmuga Kavacham, Shakthi Kavacham, and Narayana Kavacham. [ 3 ]
There are no historical records of the life of Arunagirinathar, and what we know of the composition of the Thiruppugazh is largely derived from oral traditions and legends recorded in commentaries on the work.
The duo-sisters were very popular for their matchless rendition of national and devotional songs. They had a hectic practice for about three decades and were much sought after for providing background music in films. Their Kanda Shasti Kavasam album is very popular with the Lord Muruga devotees. [2]
Surasamharam is preceded by several ceremonies on the last day of the Kanda Shashti festival. Special pujas are conducted and the deity of Murugan is ritually anointed in the ritual of abhishekam. Devotees are offered an auspicious sight of the deity, called a darshana. In some parts of Tamil Nadu, devotees observe a six-day fast, which they ...
Kanda Sashti falls variously on the months of Aippasi or Kartikai of the Tamil calendar, and commemorates the victory of Murugan over the demon Surapadma. [ 174 ] In East India , Kartikeya is worshiped on the last day of the month of Kartik, when a clay model of the deity is kept for a newlywed couple (usually by their friends) before the door ...
The Shashti Vrata (Sanskrit: षष्ठीव्रत, romanized: Ṣaṣṭhīvrata) is a Hindu observance.It is primarily observed by South Indian Hindus during the month of Ashvina, from the first day after the new moon until the sixth day.
Varnam is a type of composition which is suited for vocal exercises of a wide variety of Carnatic music aspects, including slow and fast tempo of singing, both lyrics and swarams. It is the most complex of vocal exercises.