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Angela Carter, in her 1984 novel Nights at the Circus, linked the panopticon of Countes P to a "perverse honeycomb" and made the character the matriarchal queen bee. [59] In the 2011 TV series , Person of Interest , Foucault's panopticon is used to grasp the pressure under which the character Harold Finch suffers in the post- 9/11 United States ...
He was portrayed by Peter Lorre in Josef von Sternberg's Hollywood film version (1935), by John Hurt in a 1979 BBC mini-series adaptation, by Patrick Dempsey in a 1998 television movie, and by Georgy Taratorkin (1969), John Simm (2002), and Crispin Glover (2002). The character of Michel in Robert Bresson's Pickpocket (1959) is based on Raskolnikov.
The term, which is a portmanteau word consisting of ban and panopticon, takes its name from Michel Foucault's interpretation of the panopticon as used in Discipline and Punish and the notion of ban from international relations [2] to describe a situation where observation is used as a disciplinary tool, namely by creating profiles for people ...
1974: 'Jurm Aur Sazaa, 1974 Indian film in Hindi, directed by Nisar Ahmad Ansari. [11] 1979: Crime and Punishment, 1979 television serial starring Timothy West and John Hurt. 1983: Rikos ja Rangaistus (1983; aka Crime and Punishment), the debut film of the Finnish director Aki Kaurismäki, with Markku Toikka in the lead role; the story is set ...
The Opportunists is a 1999 British-American crime drama film, written and directed by Myles C. R. Connell, and starring Christopher Walken, Cyndi Lauper, Donal Logue, and Vera Farmiga. The film takes place in the urban setting of Greenpoint, Brooklyn, in New York City. It was released in United States theaters on August 11, 2000.
The tale's main characters are three anthropomorphic animals: Goatwriter, a literate goat who collects and writes tales and like Mitchell has a stammer; Mrs. Comb, his servant and cook, a hen; and Pithecanthropus, his handyman, a primitive hominid. They live in a wasteland devastated by war and inhabit a coach that travels around of its own will.
Raskolnikow is a 1923 German silent drama film directed by Robert Wiene. [1] The film is an adaptation of the 1866 novel Crime and Punishment by Fyodor Dostoyevsky. [3]The film is characterised by Jason Buchanan of AllMovie as a German expressionist view of the story: a "nightmarish" avant-garde or experimental psychological drama. [4]
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