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Illustrators for Gender Equality (Dibujantes por la Igualdad de Género) is an international art exhibition conceived in 2007 with the aim of encouraging gender equality through opinion cartoons. The exhibition comprises artworks of 30 graphic artists from 20 countries, and the cartoons do not include any words in order to reach out to all ...
Feminist art (Feminist Art Movement) frequently blended elements from numerous movements such as Conceptual art, Body art, and Video art into works that delivered a message about the experience of women and the need for gender equality.
Feminist art is a category of art associated with the feminist movement of the late 1960s and 1970s. Feminist art highlights the societal and political differences women experience in their lives. The goal of this art form is to bring a positive and understanding change to the world, leading to equality or liberation. [1]
The Fresno Feminist Art Program served as a model for other feminist art efforts, such as Womanhouse, a collaborative feminist art exhibition and the first project produced after the Feminist Art Program moved to the California Institute of the Arts in the fall of 1971.
In 1982, the "We Can Do It!" poster was reproduced in a magazine article, "Poster Art for Patriotism's Sake", a Washington Post Magazine article about posters in the collection of the National Archives. [21] In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the image an embodiment of female empowerment. [22]
Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. [1] The group formed in New York City in 1985, born out of a picket against the Museum of Modern Art the previous year.
Patricia Cronin (born in 1963 in Beverly, Massachusetts) is a New York-based feminist cross-disciplinary artist. Since the early-1990s, Cronin has garnered international attention for her photographs, paintings and sculptures that address contemporary human rights issues.
Solarpunk often includes elements of racial and gender equality, drawing this theme from earlier utopian works. [31] Marge Piercy's 1976 classic Woman on the Edge of Time, explored family roles and introduced the pronoun 'per'. Ursula K. Le Guin's 1969 book The Left Hand of Darkness included gender fluidity. [32]