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The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. It was painted c. 1618–1620, and is in The Hermitage Museum, St. Petersburg. [1] The painting depicts an incident from Luke 7 where Jesus visits Simon the Pharisee, and has his feet anointed by a "sinful woman".
While the parable itself is seldom depicted in art, there are numerous depictions of the anointing, by Sandro Botticelli, Antonio Campi, Dirk Bouts, Onofrio Avellino, Cigoli, Nicolas Poussin, Bernardo Strozzi, and Peter Paul Rubens, among others. In some paintings, yellow clothing denotes the woman's former occupation as a prostitute. [16]
Anointing of Jesus, 17th-century altar painting, Ballum, Denmark. Main articles: Simon the Pharisee and Parable of the Two Debtors A Pharisee named Simon invites Jesus to eat in his house but fails to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46).
Christ and the Canaanite Woman (1594-1595) by Annibale Carracci Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci , now in the Pinacoteca Stuard in Parma . The work was mentioned by Carlo Cesare Malvasia , who, in Felsina Pittrice , called it "the famous Canaanite Woman .
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
The Wedding at Cana (Italian: Nozze di Cana, 1562–1563), by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine (John 2:1–11).
Viewing the painting from a side angle allows the perspective of the tiled floor and the gaze of the disciples towards Jesus to emphasise his status as the main subject of the painting. On the far left of the painting is Judas Iscariot, clothed in bright red and noticeably isolated from the other figures of the painting. In the middle of the ...