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Turner v. Safley , 482 U.S. 78 (1987), was a U.S. Supreme Court decision involving the constitutionality of two Missouri prison regulations. One of the prisoners' claims related to the fundamental right to marry , and the other related to freedom of speech (in sending/receiving letters).
Self-categorization theory is a theory in social psychology that describes the circumstances under which a person will perceive collections of people (including themselves) as a group, as well as the consequences of perceiving people in group terms. [1]
Social identity is the portion of an individual's self-concept derived from perceived membership in a relevant social group. [1] [2]As originally formulated by social psychologists Henri Tajfel and John Turner in the 1970s and the 1980s, [3] social identity theory introduced the concept of a social identity as a way in which to explain intergroup behaviour.
In architecture, visibility graph analysis (VGA) is a method of analysing the inter-visibility connections within buildings or urban networks.Visibility graph analysis was developed from the architectural theory of space syntax by Turner et al. (2001), and is applied through the construction of a visibility graph within the open space of a plan.
In Turner II, 520 U.S. 180 (1997), the Supreme Court held that must-carry rules for cable television companies were not restrictions of their free speech rights because the U.S. government had a compelling interest in enabling the distribution of media content from multiple sources and in preserving local television.
John Charles Turner (7 September 1947 – 24 July 2011) [1] was a British social psychologist who, along with colleagues, developed the self-categorization theory.Amongst other things, the theory states that the self is not a foundational aspect of cognition, but rather that the self is an outcome of cognitive processes and an interaction between the person and the social context. [2]
Frederick Jackson Turner (November 14, 1861 – March 14, 1932) was an American historian during the early 20th century, based at the University of Wisconsin-Madison until 1910, and then Harvard University.
In his review in The New York Times, Vincent Canby called the film "a not-very-spooky melodrama" and added, "[it] is minor movie making, but it does prove two things: that Kathleen Turner has become the kind of star who can carry even third-rate fiction without losing her beautiful, voluptuous cool, and that high-definition tape (on which this was initially shot) can be transferred to film and ...