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"Pretty Wings" is a single by American singer-songwriter Maxwell, taken from his fourth studio album BLACKsummers'night. It was written and produced by Maxwell and Hod David. The song won the Grammy Award for Best Male R&B Vocal Performance and was nominated at the 52nd Grammy Awards for Song of the Year and Best R&B Song.
The song, Maxwell's biggest hit to date, spent eight weeks at number one on the US R&B chart and peaked at number four on the Billboard Hot 100. It is his first number-one R&B hit, eventually followed by "Pretty Wings" in 2009. According to R. Kelly, Maxwell didn't want to sing "Fortunate".
Maxwell's lyrics concern his falling in and out of love during his sabbatical period prior to the album's release. [6] In an interview with Pete Lewis of Blues & Soul, Maxwell stated "The inspiration was real life itself. You know, while I was taking time away from the industry, I came across a relationship that took me by surprise."
Get ready for all of the NYT 'Connections’ hints and answers for #220 on Wednesday, January 17, 2024. Connections game for Wednesday, January 17, 2024 The New York Times
Embrya is the second studio album by American recording artist Maxwell, released on June 30, 1998, by Columbia Records.As on his 1996 debut album Maxwell's Urban Hang Suite, he collaborated with record producer and Sade member Stuart Matthewman.
"Bad Habits" is an R&B song by American R&B singer Maxwell. The song is the second single released from BLACKsummers'night and peaked at number four on Billboard's Hot R&B/Hip-Hop Songs, spending 46 weeks on the chart.
"Cold" is a song written by American R&B/soul singer Maxwell and Hod David. The song is the B-side to his number-one R&B hit single "Pretty Wings", and released from his album BLACKsummers'night. Cold was released as a single on June 23, 2009, peaking to number-one on Billboard's Hot R&B/Hip-Hop Singles Sales and number-two on Hot 100 Singles ...
Now is the third studio album by American R&B singer Maxwell.It was released on August 14, 2001, by Columbia Records. [1] Following the lukewarm critical reception of his 1998 record Embrya, Maxwell pursued a different direction while recording Now, abandoning the conceptual style of his previous albums.