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O be joyful in the Lord, all ye lands (alto, SATB) Serve the Lord with gladness (SSATB) Be ye sure that the Lord he is God (duet: alto, bass, violin, oboe) O go your way into his gates (SATB, strings) For the Lord is gracious (Adagio: 2 altos, bass, oboes, violins) Glory be to the Father (SSAATTBB) As it was in the beginning (SSATB)
Oh be joyful in the Lord, all ye lands, Serve the Lord with gladness And come before his presence with a song. Duet for soprano and bass, with solo violin and solo oboe: Be sure that the Lord, he is God, It is He that has made us, and not we ourselves. We are His people, and the sheep of His pasture. Polyphonic chorus:
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. [1] In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of Common Prayer (BCP).
On Wenlock Edge, song cycle (1909) for tenor, piano and string quartet, setting texts by A. E. Housman; Four Hymns: (1914) for tenor and piano (or strings) with viola obbligato; Merciless Beauty, three rondels for tenor, two violins and cello (1921) Four Poems by Fredegond Shove: for baritone and piano (1922–25): 1. Motion and Stillness; 2.
God of glory, Lord of love Hearts unfold like flow'rs before Thee Op'ning to the Sun above Melt the clouds of sin and sadness drive the dark of doubt away Giver of immortal gladness fill us with the light of day. All Thy works with joy surround Thee Earth and heav'n reflect Thy rays Stars and angels sing around Thee center of unbroken praise
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3]