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Like the piece "Chopsticks", this version became widely known, even to those who never studied piano, and is sometimes mistakenly thought to be a folk tune. [1] The chord progression, often referred to as the " 50s progression ", [ 2 ] was employed in the doo-wop hits of the 1950s and 1960s.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
An early instance of Frank Loesser writing his own music for his lyrics, [1] "Spring Will Be a Little Late This Year" has been described by singer Michael Feinstein - the "foremost expert on the music of the Great American Songbook" - [2] as "a perfect example of that heart-on-your-sleeve quality evident in so many [Loesser songs]."
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
'Live, laugh, love': The most crushing Gen Z insult, explained