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José García Villa [1] (August 5, 1908 – February 7, 1997) was a Filipino poet, literary critic, short story writer, and painter.He was awarded the National Artist of the Philippines title for literature in 1973, [2] [3] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken. [4]
After Mr. Shaw's death in 1878, the paintings were passed to his decedents and their provenance until present is as follows: [11] 1900: Mr Luis de Navas in Madrid. The collection of Charles Deering of Chicago, on display in his residence in Sitges, Barcelona for a time before being moved to Chicago.
García Narezo made oil paintings, watercolors and drawings, but is known especially for his murals. [2] These include La electricidad al servicio de Sonora in Ciudad Obregón, Sonora and an Italian mosaic at the Plaza Cívica in Lomas de Cuernavaca, Morelos named Juego con luna (1958).
Francia was born in Manila, Philippines.He graduated from the Ateneo de Manila University with an AB in Humanities, cum laude [2] and moved to New York in the 1970s. As a budding poet in New York, he studied with José García Villa, [3] the National Artist of the Philippines for literature, at The New School and later at his private workshop in Greenwich Village.
Guerrero was born in Granada, where, from 1930 to 1934, he attended art classes at the Escuela de Artes y Oficios.In 1940, on the advice of his friend Federico García Lorca, he moved to Madrid, where he continued his studies until 1945 at the Escuela Superior de Bellas Artes de San Fernando.
José Aguiar or José Aguiar García (born 1895 (Santa Clara, Cuba), died 1976 ) [1] was a painter and muralist from La Gomera. Aguiar was born in Cuba in 1895 but his family returned to Agulo , La Gomera a few months later in 1896 [ 1 ] where he was baptised. [ 2 ]
His favorite themes were traditional in nature and he is considered a major exponent of Andalusian regional painting. In 1917, a group of artists proposed erecting a memorial gazebo in the Jardines de Murillo . The government accepted the proposal, it was paid for with funds collected by the artists, and was opened to the public in 1923.
On 11 December 1831, following direct orders from Ferdinand VII and without any sort of trial, José María Torrijos was executed on the beach of Málaga, together with other companions (such as Manuel Flores Calderón and Francisco Fernández Golfín), including both military and civilians. [2] The painting depicts the scene.