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Gogol evokes common images of madness in his characterization of Poprishchin – auditory hallucination (the talking dogs), delusions of grandeur (thinking he is the King of Spain), and the institutional context of the asylum and its effect on the individual. In the second half of the nineteenth century, "Diary of a Madman" was frequently cited ...
Diary of a Madman (Nikolai Gogol), a short story by Nikolai Gogol; Diary of a Madman (Guy de Maupassant), a short story by Guy de Maupassant; Diary of a Madman (Lu Xun), a short story by Lu Xun, also known as A Madman's Diary; Diary of a Lunatic, a short story by Leo Tolstoy sometimes translated as "The Diary of a Madman" Diary of a Madman, a ...
Português: Esta coleção de retratos de Nikolai Vasilievich Gogol (1809–1852) foi publicada sob os auspícios da Sociedade dos Amantes de Literatura Russa para o centenário do nascimento de Gogol, um dramaturgo, novelista e escritor russo de estórias curtas nascido na Ucrânia. O livro está dividido em duas partes: uma lista com ...
Diary of a Madman and Other Stories, trans. Ronald Wilks (Penguin, 1972) Plays and Petersburg Tales, trans. Christopher English (Oxford University Press, 1995) The Collected Tales of Nikolai Gogol, trans. Richard Pevear and Larissa Volokhonsky (Pantheon, 1998) And the Earth Will Sit on the Moon, trans. Oliver Ready (Pushkin Press, 2019)
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The Carriage" is a prime example of efficient use of the short-story form, with small sentences conveying large amounts of detail about the story's characters and their general environment. A few specific details about the feast, such as the unbuttoned coats of the officers and the increasingly nonsensical questions of the officers, offer a ...
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Arabesques (Russian: «Арабески») are collected works written and compiled by Nikolai Gogol, first published in January 1835. [1] The collection consists of two parts, diverse in content, hence its name: ″arabesques,″ a special type of Arabic design where lines wind around each other.