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Tirelli Costumi Roma is a Rome-based costume house, which makes and supplies period costumes to motion picture productions. It has been sited, along with Costumi d'Arte and Peruzzi, as one of the best resources for 18th-century costumes.
In Augustan times, when it was used much less, the stola was taken up by Imperial cultural policy and was turned – like the vitta (plaited headband) – into a dress insigne of married Roman women. It may even have been a legal privilege. [7] By this time, it was worn only by women of the social elite.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga , draped over their tunic, and married citizen women wore a woolen mantle, known as a palla , over a stola , a ...
In 60 years, the tailor’s shop has created more than 300,000 costumes that are now stored in a warehouse in Formello, near Rome, where double-height racks of clothes stretch out across 7,000 ...
Statue of the Emperor Tiberius showing a draped toga of the 1st century AD. The toga (/ ˈ t oʊ ɡ ə /, Classical Latin: [ˈt̪ɔ.ɡa]), a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet (3.7 and 6.1 m) in length, draped over the shoulders and around the body.
You’d think after playing countless warriors, superheroes, and assorted badasses, that he’d be sick of playing dress-up. And yet, there he is, bouncing around in a helmet and furs with the joy ...
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
Women wore linen headdresses or wimples and veils, c. 1250. Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.