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Before censorship by the university administration, Chicago Review was an early and leading promoter of the Beat Movement in American literature. [5] In the autumn of 1958, it published an excerpt from Burroughs' Naked Lunch, which was judged obscene by the Chicago Daily News and sparked public outcry; [6] this episode led to the censorship of the following issue, to which the editors ...
Music censorship refers to the practice of editing musical works for various reasons, stemming from a wide variety of motivations, including moral, political, or religious reasons. Censorship can range from the complete government-enforced legal prohibition of a musical work, to private, voluntary removal of content when a musical work appears ...
House music originated in a Chicago nightclub called The Warehouse. Chicago house is the earliest style of house music. While the origins of the name "house music" are unclear, the most popular belief is that it can be traced to the name of that club. DJ Frankie Knuckles originally popularized house music while working at The Warehouse. [6]
Hilary Rosen, at the time the president of the RIAA, later reflected to Spin magazine that "the use of the warning was kind of a joke and that the industry wasn't holding up its part of the bargain."
The Chicago Manual of Style (abbreviated as CMOS, TCM, or CMS, or sometimes as Chicago [1]) is a style guide for American English published since 1906 by the University of Chicago Press. Its 18 editions (the most recent in 2024) have prescribed writing and citation styles widely used in publishing.
Category for articles/categories related to censorship of music. Subcategories. This category has the following 2 subcategories, out of 2 total. N. Nazi songs (6 P) S.
More than 50 of his essays (particularly those on 16th-century printers' devices) appeared in The Library Quarterly. [5] When editorship was taken over by Steven P. Harter in 1990 Winger wrote a history of the journal's editorial boards. [6] In 2002 editor, John V. Richardson, analyzed the peer review process in place at Library Quarterly. [7]
From The Chicago Manual of Style (8.202): Titles of operas, oratorios, tone poems, and other long musical compositions are italicized. Titles of songs are set in roman and enclosed in quotation marks, capitalized in the same way as poems (see 8.191–92). (8.205): Recordings.