Search results
Results From The WOW.Com Content Network
The museum has instruments related to different stages of Earl Scruggs career. Scruggs' first five-string banjo was a Gibson RB-11; the museum obtained an identical instrument that was made in 1938. [22] [23] Scruggs' main banjo was a Gibson Granada, which he played even after Vega created a special banjo for him. [23]
Oscar Schmidt was a musical instrument manufacturing company established in 1871. During its long existence, Oscar Schmidt has produced a wide range of string instruments, not only guitars but also numerous models of parlour instruments such as autoharps, celtic harps, guitar zithers, the "guitarophone" (a zither/metal-disc playing hybrid), [3] marxophones [4] and bowed psalteries (or "ukelins").
In modern usage the term "zither" usually refers to three specific instruments: the concert zither (German: Konzertzither), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a fretless zither or "guitar zither"). Concert and Alpine zithers are traditionally found in ...
Olly Oakley (1877–1943) (also known as Joseph or James Sharpe) [1] [2] was a British banjo player and composer. He was considered a prominent zither-banjo player in England. [3] [4] [5] His music made up a part of early banjo recordings on the phonograph, [6] [7] and during his life, he became "the most widely recorded English banjoist". [3]
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
He was the author of a banjo method, a guitar method, and a Tutor for Mandolin (1892), which he wrote while still in school. [ 1 ] Ellis was born in Dulwich , London, the son of a licensed victualler , and received no musical instruction beyond that given by his mother, who had been a pupil of Sir Julius Benedict; she taught her son the piano ...
Autoharp (center) by C.F. Zimmermann Co. in 1896–99; (left is a marxophone, right is a dolceola). Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. [3]
They are differentiated from later Gibson banjos by their scarcity. Banjo sales plummeted during the Great Depression, for lack of buyers, and metal parts became scarce into the 1940s as factories shifted to support the war. [1] As parts became scarce, non-standard versions came out, made from a variety of leftover parts, called floor sweep ...