Search results
Results From The WOW.Com Content Network
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
Rhythmic modes were the basis for the notation technique of modal notation, the first system in European music to notate musical rhythms and thereby make the notation of complex polyphonic music possible, which was devised around 1200 AD and later superseded by the more complex mensural notation.
In the plagal modes, the tenor is a third lower than the tenor of the corresponding authentic mode, except in mode 8 (Hypomixolydian), where it is raised to a 4th above the finalis (a second below the tenor of the authentic mode 7) in order to avoid the "unstable" degree ti, which may be flattened (in the authentic mode 3, the tenor is ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
2-step garage – a chaotic style of UK garage.; 20th-century classical music – a loose term for orchestral music made during or after the 20th century.; 4-beat – a breakbeat hardcore style played between 150 and 170 BPM consisting of a fast looped breakbeat and a drum at every 4 beats.
As a result, medieval theory described the church modes as corresponding to four diatonic scales only (two of which had the variable B ♮ / ♭). They were the modern Dorian, Phrygian, Lydian, and Mixolydian modes of C major, plus the Aeolian and Ionian modes of F major when B ♭ was substituted into the Dorian and Lydian modes of C major ...