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The limited range and modest strength of sound compared with the clarinet made the chalumeau increasingly impractical. [3] By 1800, the chalumeau had disappeared from the repertoire entirely and the clarinet was well-established on the European musical scene.
The low (chalumeau) register of the clarinet spans a twelfth (an octave plus a perfect fifth) before overblowing, so the clarinet needs keys/holes to produce all nineteen notes in this range. This involves more keywork than on instruments that "overblow" at the octave— oboes , flutes, bassoons , and saxophones need only twelve notes before ...
Bass clarinet — An octave below the B ♭ clarinet often with an extended low range. B ♭ bass clarinet — The standard bass. Common variants extend to either low C or low E ♭. “A” bass clarinet — Very rare today, more common around 1900, though bass clarinets in A and C as well as B ♭ were being advertised at least through 1927. [7]
Chalumeau; Clarinet. Piccolo (or sopranino, or octave) clarinet; Sopranino clarinet (including E-flat clarinet) Soprano clarinet; Saxonette; Basset clarinet; Clarinette d'amour; Basset horn; Alto clarinet; Bass clarinet; Contra-alto clarinet (E♭ contrabass clarinet) Contrabass clarinet; Octocontra-alto clarinet; Octocontrabass clarinet ...
The xaphoon is similar to the chalumeau, a European keyless single-reed instrument that was the ancestor of the clarinet, and has a comparable range. Although it has a complete chromatic scale, the maker considers it a primarily diatonic instrument, capable of playing well in a small number of keys. [2]
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