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Goldwork is always surface embroidery and free embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and ...
Couching is also characteristic of Japanese metal-thread embroidery and Central Asian suzani work. Another example of Islamic embroidery is the strong tradition of couching stitch in Palestine. Production centered on Bethlehem and its two neighbouring villages Beit Sahour and Beit Jalla; it was used for wedding dresses and formal wear. [5]
The colcha stitch is known in many parts of the world, under names such as the bokhara couching stitch, convent stitch, Deerfield stitch, and figure stitch. It has been found on 18th century quilts, as well as wall hangings and altar cloths in a region encompassing northern New Mexico and southern Colorado.
Surface embroidery techniques such as chain stitch and couching or laid-work are the most economical of expensive yarns; couching is generally used for goldwork. Canvas work techniques, in which large amounts of yarn are buried on the back of the work, use more materials but provide a sturdier and more substantial finished textile. [31]
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a ...
Bangladesh's Nakshi Kantha embroidery. An illustration of the buttonhole stitch. In everyday language, a stitch in the context of embroidery or hand-sewing is defined as the movement of the embroidery needle from the back of the fibre to the front side and back to the back side. [1]