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The Celtic knot as a tattoo design became popular in the United States in the 1970s and 1980s. [6] Examples. Examples of Celtic knots.
English: A simple Celtic knot with doubled threads. The design is taken from an ornament in the Lindisfarne Gospels, fol. 211r, where it appears at the base of the P of principium in the opening phrase of the Gospel of John, IN Principium erat uerbum.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
Trash Polka is a tattoo style created by tattoo artists Simone Pfaff and Volker Merschky in Würzburg, Germany. [ 1 ] [ 2 ] The characteristics of Trash Polka tattoos can be a combination of naturalistic, surrealistic, [ 3 ] and photorealistic motifs with graphic, lettering, and calligraphic elements primarily in black & red.
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques , including hand-tapped traditional tattoos and modern tattoo machines .
The core territory of the La Tène culture (450 BC) is shown in solid green, the area of La Tène influence by 50 BC in light green. The territories of some major Celtic tribes are labelled. Map drawn after Atlas of the Celtic World, by John Haywood (2001: 30–37).