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Winckelmann's work marked the entry of art history into the high-philosophical discourse of German culture; he was read avidly by Goethe and Friedrich Schiller, both of whom began to write on the history of art, and his account of the Laocoön Group occasioned a response by Lessing. Goethe had tried to train as an artist, and his landscape ...
The culture of Germany has been shaped by major intellectual and popular currents in Europe, both religious and secular. German culture originated with the Germanic tribes, the earliest evidence of Germanic culture dates to the Jastorf culture in Northern Germany and Denmark. Contact with Germanic tribes were described by various Greco-Roman ...
Arts in Germany (20 C, 11 P) German awards (12 C, 103 P) B. Baltic-German culture (9 P) German beer culture (3 C, 21 P) ... Pages in category "Culture of Germany"
German art (26 C, 30 P) Architecture in Germany (16 C, 40 P) Arts centres in Germany (7 P) ... Reich Chamber of Culture; S. Sächsische Akademie der Künste; V. Vivat ...
History of art in Germany (1 C, 3 P) M. Visual arts magazines published in Germany (1 C, 42 P) N. Nazarene movement (1 C, 19 P) O. Ottonian art (4 C, 8 P) P.
The collection includes paintings, sculptures, furniture and applied art, illustrating the cultural history of Dortmund from early times to the 20th century. There are regular temporary exhibitions of art and culture, as well as a permanent exhibition on the history of surveying, with rare geodetic instruments. [1]
The Germanisches Nationalmuseum is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The museum is Germany's largest museum of cultural history.
The culture of East Germany varied throughout the years due to the political and historical events that took place in the 20th century, especially as a result of Nazism and Communism. A reflection on the history of arts and culture in East Germany reveals complex relationships between artists and the state, between oppositional and conformist art.