Search results
Results From The WOW.Com Content Network
María José Cristerna was born in Guadalajara, Jalisco in 1976, and grew up in a religious family. [1] [2] At age 14, she got her first tattoo, [3] the logo of the Swedish metal band Bathory.
EBW also supports clergy through The College of Pastoral Leaders and Fellowships in Pastoral Leadership for Public Life programs. It resources ministry among Hispanic congregations through the Hispanic Ministries Mission Network, Instituto de Mujer Virtuosa Hispana, and Latinx Church Leadership Renewal Grants for congregational revitalization.
Our Lady of Altagracia or the Virgin of Altagracia, (Our Lady of High Grace) in Catholic Marian devotion, is a title of Mary by which she is honored as the “protective and spiritual mother of the Dominican people.” [1] [2] The title also is used for a particular image of Mary with the baby Jesus in a manger.
During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica.An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting.
Veronica holding her veil, Hans Memling, c. 1470 The Veil of Veronica, or Sudarium (Latin for sweat-cloth), also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an acheiropoieton, "made without hand").
A Mexican fandango from the 19th century. In the image a china woman can be seen dancing with her characteristic fine attire, to the sound of a harp.. The fashion design of the china poblana dress is attributed to Catarina de San Juan, although it certainly incorporates elements from the diverse cultures that were mixed in New Spain during three centuries of Spanish rule.
La maja vestida, c. 1803.Museo del Prado, Madrid. Although the two versions of the Maja are the same size, the sitter in the clothed version occupies a slightly larger proportion of the pictorial space; according to art historian Janis Tomlinson she seems almost to "press boldly against the confines of her frame", making her more brazen in comparison to the comparatively "timid" nude portrait.
Carmen García Maura was born in Madrid on 15 September 1945 to Salvador García y Santa-Cruz and Carmen Maura y Arenzana. [1] [2] Her great-grandfather was the Count of Fuente Nueva de Arenzana, who lived in the Palace of Arenzana in Madrid, currently the embassy of France.