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This category relates to religious Eastern Orthodox icons, icon painting, and icon painters. Subcategories. This category has the following 6 subcategories, out of 6 ...
The icon is considered by Orthodox Christians to be the patroness of Jerusalem. The commonly-held story regarding the origins of the Panagia Ierosolymitissa is that it miraculously appeared in the year 1870. This story became popular due to a leaflet released by the Greek Orthodox Patriarchate of Jerusalem verifying it. [19]
The word is derived from the Greek words παντός (pantos) meaning all and κράτος (kratos), meaning power and dominion. The word Pantocrator defines Christ as the ruler and judge of heaven and earth. [6] The earliest known depiction of Christ as Christ Pantocrator (Sinai) was painted during the 6th century. The work of art is part of ...
The Panagia Ierosolymitissa icon (Greek: Παναγία Ιεροσολυμίτισσα) or the All-Holy Lady of Jerusalem icon of the Mother of God is an acheiropoieton located in the Tomb of Mary in Gethsemane in Jerusalem. The icon is considered by Orthodox Christians to be the patroness of Jerusalem. [1]
In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing. [ 1 ] Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity , and that it has been a continuous tradition since then.
Theophanis Strelitzas (Greek: Θεοφάνης Στρελίτζας; 1490–1559), also known as Theophanes the Cretan (Θεοφάνης ὁ Κρής, pronounced Theophanes O Krees) or Theophanes Bathas (Θεοφάνης Μπαθᾶς) was a Greek painter of icons and frescos in the style of the Cretan School.
This icon and other works by Klontzas are currently preserved in the Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice, Italy. Klontzas was a Byzantine Greek artist and émigré from the island of Crete in the period following the end of the Byzantine Empire, and member of the Cretan School. His artistic output was during the ...
This icon has been described as, "perhaps the most arresting and enigmatic" icon of the Palaeologan period. [20] The Poganovo icon, like the icon in Bachkovo Monastery, is compositionally similar to the older Latomos icon. Unlike the icon of Latomos, the Poganovo icon is not a mosaic, but painted on a wood panel with tempera paint.