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Musicians who play the harpsichord are known as harpsichordists. This list includes post 19th-century harpsichordists. This list includes post 19th-century harpsichordists. Notable earlier harpsichordists mostly appear on the list of Baroque composers .
Robert Stephen Hill (born November 6, 1953, in Cebu City, Philippines) is an American harpsichordist and fortepianist.From 1990 to 2018 he was "Professor of Historical Keyboard Instruments, Performance Practice and Chamber Music" at the Hochschule für Musik Freiburg, Germany, [1] and he now serves as the “Eugene D. Eaton Jr. Chair in Baroque Music Performance” and teaches harpsichord at ...
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
Harpsichord, like other art music instruments, is typically studied in a post-secondary university or music conservatory program, leading to a diploma or degree. As harpsichord playing requires an extensive knowledge of Baroque performance practice (regarding realizing figured bass parts, adding ornaments, playing with correct style and articulation), harpsichordists may take courses in ...
Claviorganum players (1 P) Pages in category "Harpsichordists" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. ...
Both Tavener recordings are on Harmonia Mundi (France), for whom the AAM has made a large number of CDs: Mozart's Zaïde and Christmas music by Schütz and his contemporaries (conducted by Paul Goodwin); violin concertos by J.S. Bach and Vivaldi; and concerti grossi by Handel and Geminiani (directed by Andrew Manze); and Bach's harpsichord ...
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Gannon seated at his first harpsichord, completed in 1952. While reading a series of articles about Tibet in a magazine, Gannon stumbled across an article, which, he believed, was by Violet Gordon Woodhouse, a British harpsichordist and clavichord player of the period. The article was about the revival of the harpsichord, which interested young ...