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Naked Alibi is a 1954 American film noir crime film directed by Jerry Hopper and starring Sterling Hayden, Gloria Grahame and Gene Barry. It was released on October 1, 1954 by Universal-International. Portions of the film were shot in Tijuana. [2]
Ross S. Sterling (1875–1949), Texas governor Sterling High School (Houston) , named for the governor Ross N. Sterling (1931–1988), United States federal judge
The film was Ross Hunter's first as a producer. The onetime actor was working as a teacher when Ann Sheridan suggested he turn to producing. He worked without salary at the Motion Picture Center to learn producing, then managed to set up the film Take Me to Town at Universal. Sheridan's normal price was $475,000 per film but she agreed to ...
Dying Room Only is a 1973 American made-for-television horror mystery thriller film directed by Philip Leacock and starring Cloris Leachman and Ross Martin.Written by Richard Matheson and based on his 1953 short story of the same name, the film follows a woman whose husband disappears after they stop by a rural diner in the Arizona desert.
Whitaker went on to star in the 1973 Sid and Marty Krofft Saturday morning children's series Sigmund and the Sea Monsters alongside Billy Barty and Scott Kolden, and appeared in feature films, including Disney's Snowball Express (1972), The Biscuit Eater (1972), Napoleon and Samantha (1972), and The Magic Pony (1977).
Loving is a 1970 American comedy-drama film released by Columbia Pictures and directed by Irvin Kershner.It is based on the novel Brooks Wilson Ltd. written by pulp magazine illustrator John McDermott under his pen name J.M. Ryan.
Encounter with the Unknown is a 1972 American anthology horror film directed by Harry Thomason in his directorial debut, and narrated by Rod Serling. It features three allegedly true stories involving the supernatural. The film was produced by Centronics International, an Arkansas-based studio founded by Thomason.
Thirty-Minute Theatre was a British anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. [2]