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Wayang is used as a means of understanding a tradition, an approach to society, lighting, [clarification needed] and disseminating values. Wayang as a medium for character education lies not only in the elements of the story, the stage, the instruments, and the art of puppetry, but also the embodiment of values in each wayang character.
In wayang, panakawan are not just mere servants or followers, but they also understand what is happening to their masters. They often act as advisors to their masters. The most distinctive thing about the existence of panakawan is they act as a group that spreads humour in the story. Their behavior and speech typically invite laughter from the ...
Depiction of the villain Menak Jingga in a wayang klitik puppet. Damarwulan is a prince by birth, a nephew of the prime minister, Patih Lohgender, but was raised in the hermitage of his grandfather. Following his grandfather's advice, he goes to the Majapahit court seeking worldly experiences and employment.
Wayang golek began using the accompaniment of sinden in the 1920s. Until now the wayang golek continues to develop as entertainment for the community, especially in Sundanese land. In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is ...
These tales also provide source material for the wayang wong (human theatre) of Java and Bali, which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak. Theories about the origin of theater in Indonesia are divided as follows: Derived from local religious ceremonies.
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, Indonesia, on 31 July 2010. Wayang kulit ( Javanese : ꦮꦪꦁꦏꦸꦭꦶꦠ꧀ (in the ngoko register ) ) [ 1 ] is a traditional form of shadow puppetry originally found in the ...
' people's story ') or folklor (lit. ' folklore '), refer to any folklore found in Indonesia. Its origins are probably an oral culture, with a range of stories of heroes associated with wayang and other forms of theatre, transmitted outside of a written culture.
The story begins at Batara Guru, who became the first king of the kingdom of 'Medang Kamulang'. It is often portrayed through the form of Javanese Wayang . A characteristic feature of the Indonesian Mahabharata is that it gives more autonomy to other characters apart from the main characters - Krishna, Arjuna, Bhisma, Duryodhana.