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He was awarded an MBE in 2002 for services to teaching music, in particular the recorder. [3] Enjoy the Recorder , written by Bonsor, is used to teach the recorder in schools. His arrangements for recorders include Percy Grainger 's Mock Morris (1985), Cats by Andrew Lloyd Webber , and Strauss 's Emperor Waltz (1985).
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Crosses of Crossed Colors for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators (1970) Déclarations d'Orage for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba, synthesizer), large orchestra and tape (1988–89)
Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
Other sixteenth-century composers whose instrumental music can be played well on recorder consorts include: Anthony Holborne (c. 1545 – 1602) Tielman Susato (c. 1510 – c. 1570) Other notable composers of the Renaissance whose music may be played on the recorder include: Guillaume Dufay (1397 – 1474) Johannes Ockeghem (1410/1425 – 1497)
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end. However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice. [1]