Search results
Results From The WOW.Com Content Network
Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
Christ as Salvator Mundi by Andrea Previtali Danish globus cruciger, part of the Danish Crown Regalia. With the growth of Christianity in the 5th century, the orb (in Latin works orbis terrarum, the 'world of the lands', whence "orb" derives) was surmounted with a cross, hence globus cruciger, symbolizing the Christian God's dominion of the ...
Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting , it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery ...
The Good Friday antiphon is Salvator mundi, salva nos, qui per crucem et [sanguinem redemisti] nos [auxiliare nobis te deprecamur Deus noster]. (Save us, Saviour of the world, for by your Cross and [Blood you have redeemed] us; come to our aid, we beseech you, our God.)
Christ Triumphant over Sin and Death, also known as Christ Triumphant over Death and Sin, or sometimes as Salvator Mundi, is a circa 1618 oil painting by the Flemish Baroque artist Peter Paul Rubens. It is on display in the Musée des Beaux-Arts of Strasbourg , France.
with the tight meaning: Less literally, "in the strict sense". stupor mundi: the wonder of the world: A title given to Frederick II, Holy Roman Emperor. More literally translated "the bewilderment of the world", or, in its original, pre-Medieval sense, "the stupidity of the world". sua sponte: by its own accord
Salvator mundi, tu illum adiuva Sancte Petre, tu illum adiuva Sancte Paule, tu illum adiuva Christus vincit! Christus regnat! Christus imperat! Exaudi, Christe Exaudi, Christe Episcopis catholicae et apostolicae fidei cultoribus, eorumque curis fidelibus, vita! Salvator mundi, tu illos adiuva Sancte Andrea, tu illos adiuva Sancte Iacobe, tu ...
The composition of the three figures is fairly tight, with the Virgin Mary clearly interacting with the infant Jesus. Upon closer examination of their positioning it is apparent that Mary is sitting on Saint Anne's lap. It is unclear what meaning this could have and what meaning Leonardo intended to project with that pose.