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Joy of Life (1911), by Suzanne Valadon, Metropolitan Museum of Art. Valadon was an acclaimed painter of her time, well-respected and championed by contemporaries such as Edgar Degas and Pierre-Auguste Renoir. She was admitted to professional associations and her works were admitted to juried exhibitions. She lived a bohemian life with ...
Suzanne Valadon: self-portrait: pastel: Portrait of Erik Satie: 1892 Musée National d'Art Moderne: AM 1974-117 Erik Satie beard hat eyeglasses: portrait: canvas oil paint: Self-Portrait: 1898 Museum of Fine Arts, Houston: 98.306 Suzanne Valadon: self-portrait: oil paint canvas: Adam and Eve: 1909 Georges Pompidou Center, Paris, France AM 2325 ...
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon. One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1] Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. [2]
The Abandoned Doll is an oil-on-canvas painting executed in 1921 by French artist Suzanne Valadon. It has the dimensions of 135 by 95 cm. It is held at the National Museum of Women in the Arts, in Washington, D.C. [1]
Suzanne Valadon's Joy of Life depicts a landscape with four nude and seminude women who are watched by a nude man. [3] The nude male was modeled by Valadon's lover, André Utter. [4] They met through her son, Maurice Utrillo, and Utter modeled nude for several of Valadon's paintings, including Adam and Eve (1909) and Casting the Net (1914). [4]
Adam and Eve is an oil-on-canvas painting by French artist Suzanne Valadon, executed in 1909. Its dimensions are 162 by 131 cm. Its dimensions are 162 by 131 cm. It is held at the Musée National d'Art Moderne , in Paris .