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A #13 hit in 1961 for The Highwaymen, "Cotton Fields" served as an album track for a number of C&W and folk-rock acts including Ferlin Husky (The Heart and Soul of Ferlin Husky 1963), The Delltones (Come A Little Bit Closer 1963), Buck Owens (On the Bandstand 1963), the New Christy Minstrels (Chim-Chim-Cheree 1965) and the Seekers (Roving With ...
"Mississippi Cotton Picking Delta Town" is a song written by Harold Dorman and George Gann, and recorded by American country music artist Charley Pride. It was released in August 1974 as the first single from his album Pride of America. The song peaked at number 3 on the Billboard Hot Country Singles chart. [1]
Creedence also released its own version of "Cotton Fields" on this album, which reached the No. 1 position in Mexico. The album was planned to be formed around a concept introduced in "Down on the Corner", with Creedence taking on the identity of an old-time jug band called "Willy and The Poor Boys". However, this was dropped rather quickly ...
Keith Potger (lyrics) under the pseudonym of John Martin [2] Kim Fowley: Melody "Ode to Joy" Ludwig van Beethoven: Eriskay Love Lilt: 1964 – – Marjory Kennedy-Fraser: Hide & Seekers (a.k.a. The Four & Only Seekers) W&G Records: Keith Grant: 2:34 Far Shore: 1997 – – Harry Vanda / George Young-Treasure Chest: EMI Music: Charles Fisher: 3: ...
There was one single released from Creedence Country, "Cotton Fields" b/w "Lodi", in November. [3] The single charted in Billboard magazine's Hot Country Singles chart, while the album did not chart. The album has been re-released in multiple formats, including a 2004 remastered CD with three bonus tracks.
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I wish I was in the land of cotton, old times there are not forgotten, Look away, look away, look away, Dixie Land. In Dixie Land where I was born in, early on a frosty mornin', Look away, look away, look away, Dixie Land. Then I wish I was in Dixie, hooray! hooray! In Dixie Land I'll take my stand to live and die in Dixie,
Field hollers, cries and hollers of the slaves and later sharecroppers working in cotton fields, prison chain gangs, railway gangs (Gandy dancers) or turpentine camps are seen as the precursor to the call and response of African American spirituals and gospel music, to jug bands, minstrel shows, stride piano, and ultimately to the blues, to ...