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The TARDIS (/ ˈ t ɑːr d ɪ s /; acronym for "Time And Relative Dimension(s) In Space") is a fictional hybrid of a time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TARDIS lands in Isaac Newton's apple tree in 1666. As the Doctor and Donna depart, they accidentally cause Newton to name his discovery "mavity". Malfunctioning, the TARDIS lands on a spaceship at the edge of the universe. As Donna and the Doctor quickly exit, it spews flames while playing "Wild Blue Yonder", then shuts down.
Doctor Who follows the adventures of the title character, a rogue Time Lord with somewhat unknown origins who goes by the name "the Doctor".The Doctor fled Gallifrey, the planet of the Time Lords, in a stolen TARDIS ("Time and Relative Dimension(s) in Space"), a time machine that travels by materialising into, and dematerialising out of, the time vortex.
Most understandably, the sight of the blue police box fueled one of the very first questions of the panel Q&A, which featured cast members Iain Armitage, Zoe Perry, Lance Barber, Annie Potts ...
The new screwdriver has a TARDIS-blue shaft with gold and silver highlights. The upper half is a rectangular light grid that, when switched on, has four different functions: green light with low-pitched sound, blue light with high-pitched sound, green lights that pulse with a pulsing sound, and a blue light chasing pattern with a pulsing sound.
"The Stolen Tardis" (1979), a spin-off comic printed in issue No. 9 of Doctor Who Weekly (the original name of Doctor Who Magazine) also claims that "not everyone on Gallifrey is a Time Lord", [130] while a feature in issue No. 21 instead states that the Doctor is "a member of a race called the Time Lords".
We’ve got questions, and you’ve (maybe) got answers! With another week of TV gone by, we’re lobbing queries left and right about lotsa shows including Doctor Who, What If…?, Law & Order ...
Four blue/grey drones and a Black Dalek (credited as "The Chief Dalek") appeared in the play. Specific design differences from the television version of the time included a skirt section flared more to the sides and less to the front and rear, a single vertical column of hemispheres on the skirt side panels and a higher fender.