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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Tibetan khaden (sleeping rugs) with designs typical of 19th century weavings. Tibetan carpets from the 19th century (perhaps earlier, though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring, carpet makers at that time being restricted to a narrow range of natural dyes including madder (red), indigo (blue), Tibetan rhubarb (yellow) and ...
An Anatolian carpet pattern depicted on Jan van Eyck's “Paele Madonna” painting was traced back to late Roman origins and related to early Islamic floor mosaics found in the Umayyad palace of Khirbat al-Mafjar. [79] Rugs were produced in the court manufactures as special commissions or gifts (some carpets included inwoven European coats of ...
The handmade rugs come in many patterns and colors, yet the traditional and most common example of Afghan carpet is the octagon-shaped elephant-foot (Bukhara). The rugs with this print are most commonly red in color. Many dyes, such as vegetable dyes, are used to impart rich color.
The carpets often depict the scenes of falconry or images of a ferocious lion. Well known are also Tabriz carpet-pictures with images of fragments of palaces and mosques, scenes of battles. Often, in creation of this or that ornamental pattern carpet weavers were inspired by the hand-painted covers of ancient books.
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