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Shady Grove" (Roud 4456) [1] is a traditional Appalachian folk song, [2] believed to have originated in eastern Kentucky around the beginning the 20th century. [3] The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. [ 4 ]
Many revival singers have covered this song, beginning with Shirley Collins / Davey Graham in 1964, [15] which she seemingly based on the 1906 Bridgwater version collected by Cecil Sharp [10] and published in Folk Songs From Somerset.
A recording of an arrangement of "Go Tell It on the Mountain" for congregational singing (2008) "Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was most likely derived from the oral tradition, but was first printed in an early-1900s compilation of African-American folk songs. [1]
She'll Be Coming 'Round the Mountain "She'll Be Coming 'Round the Mountain" (sometimes referred to as "Coming 'Round the Mountain") is a traditional folk song often categorized as children's music. The song is derived from the Christian spiritual known as "When the Chariot Comes". It has been assigned the number 4204 in the Roud Folk Song Index.
"Wild Mountain Thyme" (also known as "Purple Heather" and "Will Ye Go, Lassie, Go?") is a Scottish/Irish folk song.The lyrics and melody are a variant of the song "The Braes of Balquhither" by Scottish poet Robert Tannahill (1774–1810) and Scottish composer Robert Archibald Smith (1780–1829), but were adapted by Belfast musician Francis McPeake (1885–1971) into "Wild Mountain Thyme" and ...
There are many different verses to this song, and only a few popular ones are listed here: Went up on a mountain (To) give my horn a blow, blow. Thought I heard my true love say, "Yonder comes my beau." CHORUS: Boil them cabbage down, down. Turn them hoecakes 'round, 'round. The only song that I can sing is Boil them cabbage down. Possum in a ...
The Roud Folk Song Index lists about 149 collected or recorded versions performed by traditional singers - 49 from England, 4 from Scotland, 2 from Ireland, 4 from Canada and 88 from the USA. [ 15 ] At least one collected version was published in the Folk Songs from the Kentucky Mountains (1917).
The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.