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The terms "environment sculpture", "site-specific art", and "environmental art" have not yet completely stabilized in their meanings. A reason for blurred definitions is that much of site-specific and environmental art was created from 1970 on for public spaces all over the United States, sponsored by federal (GSA and NEA) or state and city ...
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, [1] largely associated with Great Britain and the United States [2] [3] [4] but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting ...
Modern and contemporary art have added a number of non-traditional forms of sculpture, including sound sculpture, light sculpture, environmental art, environmental sculpture, street art sculpture, kinetic sculpture (involving aspects of physical motion), land art, and site-specific art. Sculpture is an important form of public art.
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
Sustainable art adopts, according to these authors, a critical position towards some key practitioners in the land art movement of the 1960s, who showed little concern for the environmental consequences of treating the landscape like a giant canvas with a bulldozer for a brush. [4]
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City ...
Site specific and environmental art works are represented by artists: Donald Judd, Dennis Oppenheim, Richard Serra, Robert Irwin, George Rickey, and Christo and Jeanne-Claude led contemporary abstract sculpture in new directions. Artists created environmental sculpture on expansive sites in the 'land art in the American West' group of